贾樟柯

网络释义

1.
Zhangke Jia
戛纳电影节 主竞赛单元-金棕榈奖 ... 大卫·柯南伯格 David Cronenberg 贾樟柯 Zhangke Jia 尼科尔·加西亚 Nicole Garcia ...
award.mtime.com|基于268个网页
2.
caimingliang
电影小组索引小组 ... www.douban.com/group/Anglee/ 蔡明亮： www.douban.com/group/caimingliang/ 贾樟柯： ...
www.douban.com|基于2个网页
3.
Hsiao-hsienHou
优秀电影讨论汇总贴... ... http://www.douban.com/group/Hsiao-hsienHou/ 贾樟柯： http://www.douban.com/group/Anglee/ 彭 …
www.douban.com|基于 1 个网页
4.
Response to Amir Naderi's CUT
5 - Jia Zhangke 贾樟柯 (Response to Amir Naderi's CUT)世界 05 人生在线:贾樟柯 贾樟柯谈第六代导演 「电影趋势:经济萧条 …
www.veengle.com|基于 1 个网页

例句

释义:
全部全部,Zhangke JiaZhangke Jia,caimingliangcaimingliang,Hsiao-hsienHouHsiao-hsienHou
类别:全部全部,口语口语,书面语书面语,标题标题,技术技术
来源:全部全部,字典字典,网络网络
难度:全部全部,简单简单,中等中等,难难
1.
Jia Zhang-ke's film fills in this piece of Cold War history by listening to the testimonies of the now-displaced former workers.
贾樟柯的电影通过倾听这些现在已经是身处异处的工人们的讲诉，填补了冷战中这片历史。
treasure.1x1y.com.cn
2.
And Jia Zhangke film captures small town roots symbol as their own series of films the theme of a consistent extension of this proposition.
而贾樟柯电影抓住了小城镇草根符号作为自己系列电影的主题，一以贯之地延续这个命题。
www.zidir.com
3.
In Mr. Jia's case it was the decade that began with his arrival at the Beijing Film Academy in 1993.
在贾樟柯而言，他付出的代价是1993年进入北京电影学院之后的10年时间。
chinese.wsj.com
4.
This was partly because Mr. Jia never went through the required process of clearing his works with official censors.
这在一定程度上是因为贾樟柯从未履行必要的程序以让他的作品通过官员的审查。
chinese.wsj.com
5.
This kind of cultural theme represents as Jia's specimens-consciousness and drift-complex through the image.
这种文化主题通过影像表征为贾樟柯的标本意识与漂泊情结。
paper.pet2008.cn
6.
The 40-year-old director describes himself as 'like an orphan anxious to learn the truth about where he comes from. '
年已四十的贾樟柯形容自己像个孤儿一样渴望了解自己的身世。
c.wsj.com
7.
Jia's documentary aesthetic is influenced deeply by Bazaine's long-lens theory, Italian new realism films and France's new wave films.
贾樟柯的纪实主义美学受巴赞的长镜头理论、意大利新现实主义电影与法国新浪潮电影的深刻影响。
paper.pet2008.cn
8.
Jia Zhangke's film has a strong tendency of the author -theory.
贾樟柯的电影具有浓厚的作者论思想倾向。
paper.pet2008.cn
9.
His film image style in general has a kind of gray exotic and depressed emotional color with an optional, lax and alienation.
贾樟柯电影的影像风格从总体上来讲，具有一种灰色情调和沉郁色彩，影像透着一种随意、散漫和疏离。
paper.pet2008.cn
10.
But in deciding to comply with the authorities, Mr. Jia weighed in on a larger debate: Can you produce great art without freedom?
但贾樟柯在决定遵循当局规定的同时也考虑了一个更大的论题：你能在没有自由的情况下创造出伟大的艺术作品吗？
chinese.wsj.com