With 'Tarot,' directors Spenser Cohen and Anna Halburg deliver a 'Final Destination' knockoff neutered of its intensity — and its creativity.

Final Destination inspires yet another throwaway teen schlocker, this time with an increasingly risible astrological bent

Frustrating” is a word that came to mind a lot while watching Tarot, the new horror film from directors Spenser Cohen and Anna Halberg based on Nicholas Adams’ 1992 novel Horrorscope. For one thing, it’s frustrating that the studio decided to change the film’s title from the much more fun Horrorscope to simply Tarot,

There are just too many elements that ultimately hinder Tarot's execution, from its thin characterizations to its repetitive, dull plot.

It’s bad enough that the movie has a boiler plate slasher structure, but every step of the story is also telegraphed from the jump.

Horror movies can grow from any place. That’s one of the most exciting aspects of the genre – any idea can become scary as hell in the right hands. With flicks like Ouija: Origin of Evil and Annabelle: Creation surprising audiences,