In recent times, the august RSC has looked somewhat jaded and has been noticeably lacking when it comes to the calibre of the ...

Although the abrupt shift in the storyline at the end always casts a shadow in Love’s Labour’s Lost, Emily Burns’s Polynesian ...

A red carpet and a selfie booth give a celebratory air to the start of the Royal Shakespeare Theatre’s first season under the ...

When inaugurating your tenure running the RSC - as its new joint artistic directors Daniel Evans and Tamara Harvey did on ...

There are four sparring couples, and part of the joke is that the women are so much more self-aware and poised than the men, led by languid Ferdinand (Abiola Owokoniran). The Princess is Polynesian ...

Use precise geolocation data and actively scan device characteristics for identification. This is done to store and access ...

Spring brings renewed energy into the year. There isn’t a better moment for the Royal Shakespeare Company’s recently ...

Luckily for us, Shakespeare provides our answer. The pivotal scene in Love’s Labour’s Lost proves without a shadow of a doubt ...

Emily Burns’ modern-day romcom, set on a Pacific island retreat, ramps up the silliness and makes accessible the text’s cloud-parting power and wordplay This early Shakespearean comedy might ...

Rachel Ravel (Princess)Patrick O'Hare (Ferdinand)Riley Rudy (Rosaline)Max Green (Berowne)David Moxham (Don Armado)Rob Novak (Costard)Tate Allyn (Jaquenetta)Makaa Copeland (Moth)Nikhil Prabala ...

No one craves Lear as an opening gambit. Moreover Love’s Labour’s Lost, directed by Emily Burns and boasting Bridgerton star Luke Thompson in one of the romantic leads, sounds a pertinently ...

It’s a bold leap of imagination by director Emily Burns, given tangible form in Joanna Scotcher’s magnificent, revolving set, ...