It is possible to artfully utilize foreshadowing in the genre – Edgar Wright’s Shaun of the Dead and The World’s End are two movies that instantly pop to mind – but Tarot is an exercise in extreme overkill.

Final Destination inspires yet another throwaway teen schlocker, this time with an increasingly risible astrological bent

Set in a world where every door creaks and there isn't a single well-lit location, "Tarot" is little more than a clearinghouse of horror clichés. Co-written, directed and executive produced by Spenser Cohen and Anna Halberg (the podcast series "Classified"),

Frustrating” is a word that came to mind a lot while watching Tarot, the new horror film from directors Spenser Cohen and Anna Halberg based on Nicholas Adams’ 1992 novel Horrorscope. For one thing, it’s frustrating that the studio decided to change the film’s title from the much more fun Horrorscope to simply Tarot,

There are just too many elements that ultimately hinder Tarot's execution, from its thin characterizations to its repetitive, dull plot.

Horror movies can grow from any place. That’s one of the most exciting aspects of the genre – any idea can become scary as hell in the right hands. With flicks like Ouija: Origin of Evil and Annabelle: Creation surprising audiences,

In addition to recent titles like Abigail and The First Omen, there are plenty of upcoming horror movies, including Tarot, which is set for release on May 3. The film — previously titled the much-more interesting Horrorscope — is based on a 1992 novel by Nicholas Adams,