The production reveals, sometimes playfully, the sheer range and number of factors that need to be considered when providing humanitarian aid.

At its best, the play brings out the real pain of a man continually struggling and fighting for his family, but realising that at some point he will have to hang up his cape and not be there for them.

Briskly paced, it manages to be both entertaining and intriguing in equal measure. It’s also easy to understand.

I found it remarkable quite how much was packed into a highly efficient production, with a running time of just under an hour ...

I look forward to seeing Sadie Clark's next foray into playwriting, perhaps something less stereotyped and with more depth, ...

It is difficult to say any more about this life-affirming play without giving away any more of Remembrance Monday's ...

The public response is portrayed by the receipt of a large number of letters to the WI branch, some of which contain deeply ...

The rage and self-examination that should be prompted by the production and the tearful curtain call are immediately effaced ...

Performances all serve the text well, and having grown up in rural England, I remember many a character from the Mayday Fair ...

The theatre is managed by Kibo Productions that is presenting Rosamund Gravelle’s first play Three Queens, performed by a ...

Adam Scott-Rowley brings his extraordinary one-man show YOU ARE GOING TO DIE to Southwark Playhouse, Borough, following its ...

The Cord conceals weighty themes and offers a well-drawn, carefully considered examination of family dynamics. An absorbing ...